The Woman Warrior: Memoirs of a Girlhood Among Ghosts | 
 enlarge | Author: Maxine Hong Kingston
Publisher: Vintage
Category: Book
List Price: $13.95
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Rating:  170 reviews
Sales Rank: 29819
Media: Paperback
Number Of Items: 1
Pages: 224
Shipping Weight (lbs): 0.2
Dimensions (in): 7.9 x 5.1 x 0.6
ISBN: 0679721886
Dewey Decimal Number: 979.4053092
EAN: 9780679721888
ASIN: 0679721886
Publication Date: April 23, 1989
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Amazon.com Review
The Woman Warrior is a pungent, bitter, but beautifully written memoir of growing up Chinese American in Stockton, California. Maxine Hong Kingston (China Men) distills the dire lessons of her mother's mesmerizing "talk-story" tales of a China where girls are worthless, tradition is exalted and only a strong, wily woman can scratch her way upward. The author's America is a landscape of confounding white "ghosts"--the policeman ghost, the social worker ghost--with equally rigid, but very different rules. Like the woman warrior of the title, Kingston carries the crimes against her family carved into her back by her parents in testimony to and defiance of the pain.
Product Description
A Chinese American woman tells of the Chinese myths, family stories and events of her California childhood that have shaped her identity.
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| Customer Reviews: Read 165 more reviews...
 Eliptical Elusiveness Still Elucidates Immigration May 25, 2008
The women ancestors of a geeky Chinese-American girl pile up impressive resumes, no worries ! They are kungfu heroines, joining peasant armies that overthrow the very Imperial throne. They are doctors who brave ghosts and come to America. They are mothers and grandmothers who remain staunchly Chinese in the face of the full press of American culture. They are sisters or aunts in Chinatown apartments or unknown relatives killed for following their hearts instead of the rules back in village China. Slowly, slowly, the background of the author (maybe) is depicted. You need some patience to realize what the author is doing. She doesn't give quarter. Readers who like everything spelled out will be disappointed. Ghosts play a big role in every section of the book. Ghosts train the warriors, ghosts oppose the student and the laundryworker. All Americans even appear as ghosts of a vast variety. Yes, it's one way of looking at the experience of immigration. You leave home, where everything is known, and come to a very foreign land where nothing is comprehensible. You understand nothing of the language or customs, but you have to make your way, earn a living, survive. Daring to sit and struggle with ghosts in a haunted Chinese classroom is similar to fighting with aliens in an alien land. So, you might interpret everyone around you as a `ghost'--scary, but propitiated or turned aside each in its own way. Women in China are treated like chattel, she says, but here women take control, control ghosts, control lives, control themselves. Is it a dream ? Is it another way of looking at Chinese women ? You will decide this for yourself after reading this highly original, lyrical book of tales of immigration, tales of women in a strange land, tales of "how I got to be me". It's got to be one of the most creative immigrant novels yet written.
 Woman Warrior, a hauntingly lyrical memoir. April 7, 2008
1 out of 1 found this review helpful
Woman Warrior is among the most gripping lyrical-memoirs I've read. It is author Maxine Kingston's Chinese ancestry that teaches her that girls are half-ghosts that walk a tight wire: one wrong step and they transcend into full-pledged ghosts, with all memory of their existence erased from time. Girls in the history of her Chinese culture are regarded much the way Middle Eastern women are regarded today: burdensome and dangerous. The Chinese saying "When fishing for treasures in the flood, be careful not to pull in girls," conveys a message repeated to Kingston throughout her girlhood.
Kingston is eternally haunted by one particular "no-name" ghost: her dead aunt, a woman shamed by her village, a woman forgotten, a woman whose name and memory are not uttered. Haunted by her nameless, faceless aunt, Kingston also finds herself displaced and alienated as she attempts to put together two worlds: her Chinese ancestry, and her new American life.
Resentment builds in Kingston as she struggles to put together the secrets and hushed words of her ancestry. The only stories her elders will elucidate to her are ones meant to haunt her, but even these are not fully in truth. How is she to form an identity when she is refused knowledge of her past? When she can't define her self as being a solid part of any given culture? Without proper definition of place, one merely floats along, trying to make sense of it.
Kingston also faces the difficult challenge of becoming an American female, which is much different than a Chinese female. Caught between what she's been taught gives a female value in Chinese culture, and what she is learning gives a female value in American culture. Her feeling of alienation deepens as she realizes that she no longer holds an authentic, cultural identity. No longer native Chinese, not quite American either. Even amongst her fellow Chinese-American Immigrants, she finds herself displaced as they all melt into the pot at different consistencies. "No other Chinese, neither the ones in Sacramento, nor the ones in San Francisco, nor Hawaii speak like us."
The only refuge Maxine Kingston finds is in the archetype of the Woman Warrior, Fa Mu Lan. Fa Mu Lan is used as a metaphor for female choice, female purpose, female strength and power. Fa Mu Lan assumes both the traditional Chinese female role, and the American, career-minded female role. Fa Mu Lan returns homes to assume traditional domestic roles, only after she has been out in the world fighting, first! She fights, she is warrior woman, and then at the end of it all, she returns to her duties at home. Fa Mu Lan is a survivor of both worlds, and because she faces such danger outside of her home, the inside of her home may seem relatively less dangerous--the home of Kingston's past being a symbolically dangerous place, as it was for her no-name aunt.
the power of memory March 23, 2008
Maxine Hong Kingston's The Woman Warrior is a powerful
gem about the relationship between the author and her
mother and other women in her family. It is a memoir
but reads like fiction. I loved this book and especially
how she utilizes symbols, particularly ghosts to represent
people from different backgrounds, whom the author draws
upon for wisdom, strength and remembrance.
I usually have a tough time with "literary" fiction but
the author writes in an almost conversational tone. I felt
like I was there as the author told her story. This is
an excellent book to read to learn about Chinese culture.
Brilliant! August 25, 2007
1 out of 2 found this review helpful
An excellent book, funny, insightful, poignant. Ms. Kingston brilliantly conveys how cultures can clash within the minds of those who straddle them. After reading this book I bought half a dozen copies to give to close friends.
Prepare for the unexpected. March 22, 2007
3 out of 4 found this review helpful
This is a tremendous novel. The author threads the stories her mother told her when she was a child, through the retelling of her own life, using them to draw you into her own imagination. As she grows up, living half immersed in traditional myth and half in gritty reality, where mothers and daughters are only human, the reader grows up with her. The first person telling of her childhhood stories puts the reader directly in the shoes of a child/young adult working through the stories she has been told, using them to form her hopes and dreams and her understanding of the world.
(N.B. You may not think that your childhood stories influenced the way you live, but if you think for a minute, I am certain some will come back to you and you'll realize that just the other day you did something based on or combatting that belief. Maybe you even still wish on stars?)
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